reviews & press
- Bargemusic Begins New Season on Land with Beethoven’s “Archduke” Trio, and a Real Archduke, by Claude Scales, April 2, 2025 http://brooklynheightsblog.com/archives/101359
- “Bargemusic’s new chapter in Brooklyn Bridge Park kicks off Saturday,” by Mary Frost, Brooklyn Daily Eagle
Bargemusic, Brooklyn’s formerly-floating chamber music concert hall, will be kicking off the season’s concerts on dry land — for the first time — at the Brooklyn Bridge Park Boathouse on Saturday, according to Mark Peskanov, violinist and Bargemusic’s artistic director.
In January, the 50-year-old organization’s beloved but rusting barge was towed from its slip at Fulton Ferry Landing near the Brooklyn Bridge, to meet its end. Until a new boat can be found, Brooklyn Bridge Park has provided a venue in its Boathouse near Pier 5. The space is roughly the size of the barge, with the same gorgeous views of the East River and Manhattan skyline. There are also restrooms conveniently located right outside the performance area […]
“The ultimate mission of Bargemusic is to serve the community,” [Peskanov] said. “And so we decided in this new phase, moving onto land at the Boathouse in Brooklyn Bridge Park, that all of our concerts will be admission-free. We think it’s in the spirit of Bargemusic, and in the spirit of this parkland, and we hope this partnership goes on for the next 50 years.” […]
“Bargemusic has been a cultural gem on the Brooklyn waterfront for almost 50 years now,” Brooklyn Bridge Park President Eric Landau told the Eagle. “While Bargemusic figures out their next steps, we are thrilled to provide a space so they can continue the wonderful tradition of providing admission-free chamber music on the waterfront,” he said. […]
- “It’s the End of an Era for Brooklyn’s Bargemusic: The Floating Music Hall Begins ‘Chapter Two’,” by Mary Frost, Brooklyn Daily Eagle
- “Swansong: Bargemusic, one of New York City’s most beloved venues, sails into the sunset,” by Steve Smith, Night after Night on Substack
“In a city full of unlikely marvels, Bargemusic is among the foremost treasures any music lover could hope to know. Housed on a converted coffee barge moored at Fulton Ferry Landing just below the Brooklyn Bridge, the floating concert hall welcomed chamber-music cognoscenti and curiosity seekers alike since Olga Bloom, a violinist and violist, launched the venue in 1977…As [Artistic Director Mark] Peskanov stated in his note to supporters, concerts under the Bargemusic banner will continue at a new site: specifically, the Brooklyn Bridge Park Boathouse, where programming is planned to resume on April 5. ‘To have this new, incredible place for the musicians and the whole community, it’s a great miracle and evolution,’ Peskanov wrote in a message. ‘We are very grateful to Eric Landau, the President of Brooklyn Bridge Park Corporation, and his great team at the Brooklyn Bridge Park…'”
- “Live from New York: Small Concert Promoters Salvage the Future,” Van, May 7, 2020
“If we can bring in any people, even at six feet apart, we want to put on concerts,” [Artistic Director Mark Peskanov] continued. “If we have to be exact [about capacity and stage space] we can do that, we’ve been planning that. We are ready at the drop of a hat!”
- “Brooklyn Bridge, Star of the City: Here’s a Tour,” New York Times, May 6, 2020
“Weiss: We love Brooklyn Bridge Park, which is so democratic and lively. But we loved the […] charm of the waterfront before the park was built. The River Café and Bargemusic, the concert venue, are left from the old days. Manfredi: We were married at the Barge. We still go to concerts there.”
- “20 Best Things To Do In Dumbo, Brooklyn,” Vacationidea.com, November 4, 2023
- “Eastern Music Festival Orchestra’s ‘Fanfares and Flourishes’ brings audience to its feet at Dana Auditorium,” News and Record (Greensboro, NC), July 7, 2019
- “Eastern Music Festival Presents Khachaturian and Shostakovich Rarities,” CVNC: An Online Arts Journal in North Carolina, July 6, 2019
- “Uncompromising Music Survives on the Brooklyn Waterfront,” New York Times, June 5, 2017
- “Review: Donald Berman Balances Fire and Rhapsody at Bargemusic,” New York Times, May 31, 2015
- “Deviating From the Modern, to Fresh Effect,” New York Times, January 12, 2015
- “Still Music to the Ears, but From Odd Sources,” New York Times, January 5, 2015
- “From Liszt’s Soliloquies to Labor Blues,” New York Times, April 20, 2014
- “A Middle East Mourned and Celebrated in Suites,” New York Times, September 22, 2013
- “Riding the Waves of a Memorial,” New York Times, September 12, 2013
- “An Epitaph for Summer, Etched in the Senses,” New York Times, September 9, 2013
- “Bargemusic’s Labor Day Celebration” on NY1, Sept. 6, 2013
- “Violin and Bass Trombone Finally Meet, and It’s Love,” New York Times, August 30, 2013
- “Bassoon Solos on the Water,” New York Times, August 23, 2013
- “New Music, Defined by Time and Tide,” New York Times, July 15, 2013
- “Where Better to Play a Theremin Than on a Boat?” New York Times, May 27, 2013
- “With Spirit and Variety, a Festival Unfolds Anew,” New York Times, August 30, 2012
- “Music to Rock the Boat Fails to Disturb a Barge,” New York Times, July 9, 2012
- “Bach to Brooklyn” Editorial/Appreciation of Bargemusic founder Olga Bloom, in the New York Times, December 1, 2011
- “Standard Fare Upended, to Reinvent and Explore,” New York Times review, September 4, 2011
- “At Concert Tributes, a Mournful Undercurrent,” New York Times review, September 12, 2010
- “A Music Hall Sways to Its Own Beat,” New York Times, May 20, 2010
